Did 'Avengers' really own box office records? - KYTX CBS 19 Tyler Longview News Weather Sports

Did 'Avengers' really own box office records?

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By Matthew Lane, Special to CNN

(CNN) -- Editor's Note: Matthew Lane is a Ph.D. candidate in mathematics at UCLA, and is the founder of Math Goes Pop!, a blog focused on the surprisingly rich intersection between mathematics and popular culture. He is also a contributor to the Center for Election Science. You can follow him on Twitter at @mmmaaatttttt.

When the Avengers assemble, the world opens its collective wallet. In just under three weeks since its international opening, "Marvel's The Avengers" has earned more than $1 billion worldwide. In America, it blew through the $200 million mark over opening weekend alone, and now holds the title of best three-day opening in film history. Or does it?

While dollar signs fuel the engine of Hollywood movie production, they are not necessarily the most objective measure of a film's success. Most importantly, the dollar is not a static unit of measurement like the meter; as a result of inflation, a dollar in 2008 has more purchasing power than a dollar in 2012. If we search for a better way to measure film's opening weekend success, is it possible to dethrone the mighty Avengers? Let's try to find out.

If we look only at unadjusted gross opening weekend revenue, the top 10 most successful films of all time are as follows, with the amount of money earned in parentheses:

"Marvel's The Avengers" ($207,438,708)

"Harry Potter and the Deathly Hallows: Part 2" ($169,189,427)

"The Dark Knight" ($158,411,483)

"The Hunger Games" ($152,535,747)

"Spider-Man 3" ($151,116,516)

"The Twilight Saga: New Moon" ($142,839,137)

"The Twilight Saga: Breaking Dawn, Part 1" ($138,122,261)

"Pirates of theCaribbean: Dead Man's Chest" ($135,634,554)

"Iron Man 2" ($128,122,480)

"Harry Potter and the Deathly Hallows: Part 1" ($125,017,372)

This data, and all data that follows, has been pulled from Box Office Mojo. Notice that Hollywood's love affair with the sequel can be explained in large part by this list: of these films, only one, "The Hunger Games," is not a sequel, and even this one is not a new property, but is based on the hugely successful book by the same name.

By this measure, "The Avengers" is the clear front-runner. However, it is one of only two films on this list to have been released in 2012. If we adjust these opening-weekend figures to account for inflation, how much does the picture change?

Thankfully, Box Office Mojo has already performed the necessary calculations. They do this by adjusting a film's revenue to take into account the average ticket price in the year it was released. For example, "The Dark Knight" made roughly $158 million in 2008, when average ticket prices were $7.18. In 2012, the average has increased to $7.92 (see here for a complete list of yearly averages). This means that if we want a more accurate comparison of this film to The Avengers, we should multiply its opening weekend gross by the ratio of the 2012 average price to the 2008 average price. This ratio is $7.92/$7.18 or approximately 1.10, meaning that The Dark Knight's opening gross in 2012 dollars would be closer to $175 million.

By this measure, the top 10 films are as follows (now the amounts are adjusted to 2012 dollars):

"Marvel's The Avengers" ($207,438,708)

"The Dark Knight" ($174,738,000)

"Spider-Man 3" ($173,959,700)

"Harry Potter and the Deathly Hallows: Part 2" ($168,763,300)

"Pirates of the Caribbean: Dead Man's Chest" ($164,003,900)

"Spider-Man" ($156,551,700)

"The Hunger Games" ($152,535,747)

"The Twilight Saga: New Moon" ($148,657,800)

"Shrek the Third" ($140,015,100)

"The Twilight Saga: Breaking Dawn, Part 1" ($139,709,900)

Remember, these numbers are estimates, and while they are useful for making more objective comparisons, they should still be taken with a grain of salt. Even so, a quick look at this list shows it varies slightly from the unadjusted one. In both cases, however, "The Avengers" is on top.

These adjusted revenues, however, allow us to create one more measure of a film's opening-weekend success. Since we know the opening-weekend revenue and the average ticket price, we can compute the estimated number of tickets sold during the weekend. The top 10 list for tickets sold will be the same as adjusted revenue list shown above, since an estimate for the number of tickets sold can be found by dividing the adjusted revenue by $7.92, the average 2012 ticket price.

Let's combine this with one other piece of information: the number of theaters screening the film opening weekend. If we know how many tickets were sold and how many theaters were playing the film, we can estimate the number of tickets sold per theater to get a sense for how packed the theater was during opening weekend. By this metric, the top 10 list for largest opening weekend in a wide release has quite a few surprises (the number in parentheses are now estimates for number of tickets sold per theater):

"Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour" (6,346)

"Marvel's The Avengers" (6,022)

"Spider-Man" (5,468)

"The Blair Witch Project" (5,222)

"Spider-Man 3" (5,166)

"The Dark Knight" (5,053)

"Pirates of the Caribbean: Dead Man's Chest" (5,010)

"Harry Potter and the Deathly Hallows: Part 2" (4,871)

"Borat" (4,826)

"The Lost World: Jurassic Park" (4,790)

We have discovered the secret to defeating "The Avengers": Miley Cyrus. While some may be critical of this metric on the grounds that it inflates the averages for films with a relatively small release (the Hannah Montana film opened on only 683 screens, compared to 4,349 for The Avengers), this data still tells us something about the level of anticipation for each of these films. In particular, the Hannah Montana film probably should have opened on a larger number of screens.

Note that this top 10 list only considers films that earned at least an unadjusted $25 million in their opening weekend. So there may be more surprises among a larger family of films.

One could also think of more ways to slice the data. For example, "The Avengers" didn't have the largest opening day ever, but held its ground very well over the weekend, allowing it to eclipse competitors like "Harry Potter." By digging through the data, one could compare day-by-day performance over opening weekend,and use this metric to rank films. One could also try to account for changes in population size over time.

No matter how you slice it, though, "Marvel's The Avengers" is doing exceptionally well. But as Miley Cyrus has taught us, there is still room for this superhero team to grow.

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